Case study · Residential development
Updated
Three residences on a plot where the plan allowed one house.
01 · Starting point
A prestigious location. A clause in the zoning plan allowing only one volume. And an investor for whom the numbers were ceasing to work.
Rather than negotiate with the plan, we redesigned the brief, a two-unit house that remains a single building in the eyes of the plan, and has nothing of the semi-detached about it in architectural terms. The result: more sellable area, profitability saved, and three residences, each of which sells on a story of its own.
- Project
- SPECTRE 3.0
- Client
- Modern Art Development
- Location
- Warsaw,
by the Kabaty Forest - PUM
- 1071,5 m²
- Number of houses
- 3
- Type
- Residential development,
premium segment
02 · Context
A plot in a prestigious location, next to the Kabaty Forest. An address that is a selling point in itself.
The problem was in the zoning plan: only one building could be put up on this plot. That meant a single house of enormous size, at a price that sharply narrows the pool of buyers, and a development that no longer added up.
The developer faced a choice: build a scheme of doubtful profitability, or look for another way.
03 · What the plot allowed
Problem
The zoning plan allowed one building. A prestigious location, an enormous floor area, one buyer to find, and a scheme that did not pay.
Solution
We designed a two-unit house that remains a single building in the eyes of the plan. Architecturally it does not look like a semi-detached.
The units differ in size, have separate characters and are fully independent: separate entrances, separate gardens, separate zones. Neither resident has the feeling of having bought “half” of something.
Instead of fighting the zoning plan, we redesigned the product itself.
04 · No compromises
Problem
In the premium segment, “half” is not enough. Nobody wants a duplicate: buyers at this level are buying individuality, not a mirror image.
Each house had to get its own volume, its own compositional axis and its own facade rhythm. And something more: its own story. In this segment the purchase decision rests on emotion, not on a table of floor areas.
Solution
We designed a sequence of impressions, not a set of rooms.
You pull up to the house and see an enormous fixed window, a frame out of a film, which lands before you are out of the car. You step inside, and the classic car in the garage is visible through the atrium and the glazing in the living room.
The garage stops being a garage. It becomes the set for the owner’s daily life.
05 · Impact on a budget
Problem
How do you show that a development is singular and prestigious without pushing costs to absurdity? Premium is not about flaunting opulence; it is about intelligent design decisions, ones that make an impression and a real difference to the target buyer.
Solution
We cut out excess and relied on the force of the materials and the proportions. One of the three houses we singled out with charred timber cladding, the only one in the development.
That is not only architecture. It is a sales tool: only one house like it will be built, and only one buyer can have it.
- Architectural concrete and brickinstead of render on the facade
- Glazingfrom floor to ceiling
- Plantingbrought inside
- Charred timberon only one of the three houses
06 · Result
Good design decisions are not a matter of taste. They are money.
A plot on which the plan allowed one unprofitable house became a development with three residences and three separate sales stories.
07 · Who it is for
This works for an investor who:
- wants a scheme that genuinely stands out on the market,
- is considering a two-unit house,
- wants to take their offer into the premium property market.
We will work out what fits on your plot.
Let’s talk about your developmentThe first conversation is free and commits you to nothing.